Scrub Green
In 1914 the San Francisco surgeon Harry Sherman described an operating room at St Luke's Hospital decorated in green, from the floor tiles to the towels.1, 2
His stated reason was glare from white surfaces, which surgeons of the period described as tiring and, at worst, briefly blinding.1
By about 1900 most operating theatres were white.1 Berkeley Moynihan of Leeds wrote in the Lancet in 1915 that the reflected light was wearisome to the eye, and Sherman reported surgeons losing their sight for a moment when they looked up from the wound.1 Under newer lighting, a 2009 history in the Canadian Medical Association Journal notes, glare also made anatomical features harder to tell apart.2
Sherman's answer came from colour theory.1 After the 1906 earthquake he had a temporary operating room painted bright spinach green, chosen as the complement of the red of haemoglobin.1 The permanent suite, finished in 1913, had a green tiled floor and a six-foot green wainscot, with white tiles above it and a buff ceiling, and the staff wore black gowns and hats.1 He reported that his eyes could now rest on the detail of a wound without competing light.2 Moynihan painted his own theatre green as well.1
Not everyone agreed.1 In 1917 William Secor of Kerrville, Texas, defended white rooms and proposed peaked caps and amber-tinted glasses instead.1 In 1924 and 1925 the New York anaesthetist Paluel Flagg used an oxyhaemoglobinometer and the Munsell colour system to select a bluish green he called Eyerest Green.1 He also developed a green fabric for drapes and gowns that would survive steam sterilisation.1 By the middle of the century green was common in hospitals, and in 1955 the neurosurgeon William Feindel opened a unit in Saskatoon with a green surgical suite.1, 2
Neither of these historical accounts mentions the explanation most often repeated today, that green cancels the afterimage left by staring at blood.1, 2 The concerns recorded at the time were glare and what Flagg called colour fatigue from constant gazing into the wound.1
The colour stayed. The reason now attached to it is not the one its first users gave.
References
- Featherstone, P. J., & Ball, C. M. (2026). A brief history of colour in the operating theatre. Anaesthesia and Intensive Care, 54(4), 301-303. doi:10.1177/0310057X261449830 Link Peer-reviewed historical article Open access (CC BY-NC 4.0). Primary sources (Sherman 1914, Moynihan 1915, Flagg) are cited by the authors and were not read directly.
- Pantalony, D. (2009). The colour of medicine. Canadian Medical Association Journal, 181(6-7), 402-403. doi:10.1503/cmaj.091058 Link Peer-reviewed historical article Free full text.
Sources last checked 18 October 2026.
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